"Round the cape of a sudden came the sea,
And the sun looked over the mountain’s rim:
And straight was a path of gold for him,
And the need of a world of men for me."
 Parting at Morning, Robert Browning
"Trust me, Clara Vere de Vere,
From yon blue heavens above us bent
The gardener Adam and his wife
Smile at the claims of long descent.
Howe’er it be, it seems to me,
‘Tis only noble to be good.
Kind hearts are more than coronets,
And simple faith than Norman blood."
Lady Clara Vere de Vere, Alfred Lord Tennyson
"Gods of Hellas, gods of Hellas,
Can ye listen in your silence?
Can your mystic voices tell us
Where ye hide? In floating islands,
With a wind that evermore
Keeps you out of sight of shore?
Pan, Pan is dead."
The first stanza of The Dead Pan by Elizabeth Barrett Browning. For the full poem, go here.

An excerpt from Canto IV of The City of Dreadful Night by James Thomson

“As I came through the desert thus it was,
As I came through the desert: From the right
A shape came slowly with a ruddy light;
A woman with a red lamp in her hand,
Bareheaded and barefooted on that strand;                  
O desolation moving with such grace!
O anguish with such beauty in thy face!
  I fell as on my bier,
  Hope travailed with such fear.

As I came through the desert thus it was,                 
As I came through the desert: I was twain,
Two selves distinct that cannot join again;
One stood apart and knew but could not stir,
And watched the other stark in swoon and her;
And she came on, and never turned aside,                
Between such sun and moon and roaring tide:
  And as she came more near
  My soul grew mad with fear.

As I came through the desert thus it was,
As I came through the desert: Hell is mild          
And piteous matched with that accursed wild;
A large black sign was on her breast that bowed,
A broad black band ran down her snow-white shroud;
That lamp she held was her own burning heart,
Whose blood-drops trickled step by step apart:          
  The mystery was clear;
  Mad rage had swallowed fear.

As I came through the desert thus it was,
As I came through the desert: By the sea
She knelt and bent above that senseless me;            
Those lamp-drops fell upon my white brow there,
She tried to cleanse them with her tears and hair;
She murmured words of pity, love, and woe,
Shee heeded not the level rushing flow:
  And mad with rage and fear,                           
  I stood stonebound so near.

As I came through the desert thus it was,
As I came through the desert: When the tide
Swept up to her there kneeling by my side,
She clasped that corpse-like me, and they were borne    
Away, and this vile me was left forlorn;
I know the whole sea cannot quench that heart,
Or cleanse that brow, or wash those two apart:
  They love; their doom is drear,
  Yet they nor hope nor fear;                               
  But I, what do I here?”

The Lady of Shalott by Alfred Lord Tennyson

In the stormy east-wind straining, 
The pale yellow woods were waning, 
The broad stream in his banks complaining. 
Heavily the low sky raining 
Over tower’d Camelot; 
Down she came and found a boat 
Beneath a willow left afloat, 
And around about the prow she wrote 
The Lady of Shalott.

And down the river’s dim expanse 
Like some bold seer in a trance, 
Seeing all his own mischance —
With a glassy countenance 
Did she look to Camelot. 
And at the closing of the day 
She loosed the chain, and down she lay; 
The broad stream bore her far away, 
The Lady of Shalott.

Lying, robed in snowy white 
That loosely flew to left and right —
The leaves upon her falling light —
Thro’ the noises of the night, 
She floated down to Camelot: 
And as the boat-head wound along 
The willowy hills and fields among, 
They heard her singing her last song, 
The Lady of Shalott.

Heard a carol, mournful, holy, 
Chanted loudly, chanted lowly, 
Till her blood was frozen slowly, 
And her eyes were darkened wholly, 
Turn’d to tower’d Camelot. 
For ere she reach’d upon the tide 
The first house by the water-side, 
Singing in her song she died, 
The Lady of Shalott.

Under tower and balcony, 
By garden-wall and gallery, 
A gleaming shape she floated by, 
Dead-pale between the houses high, 
Silent into Camelot. 
Out upon the wharfs they came, 
Knight and Burgher, Lord and Dame, 
And around the prow they read her name, 
The Lady of Shalott.

Who is this? And what is here? 
And in the lighted palace near 
Died the sound of royal cheer; 
And they crossed themselves for fear, 
All the Knights at Camelot; 
But Lancelot mused a little space 
He said, “She has a lovely face; 
God in his mercy lend her grace, 
The Lady of Shalott.”

"Manuscripts don’t burn"
Mikhail Bulgakov, The Master and Margarita (via isingofarmsandtheman)
"

The Changeling’s Lament
By Shira Lipkin
—-

I have studied so hard
to pass as one of you.
I’ve spent a lifetime on it. I have tells.
Blisters, tremors, bruises,
all the signs that I was not meant for your world,
was not meant to be contained
in your clothes,
your shoes.
I have this terribly inconvenient allergy
to cold iron.
Hives, really.
Welts.
I stand out. When I was little,
I asked my alleged mother,
what’s a girl? She said
you,
you’re a girl,
and she laced me into dresses
(that I tore off in the school parking lot,
in line for the bus).
Laced me into ballet shoes
that left blisters
and bloodied my feet
until I had calluses.
Which she had filed off,
beauticians pinning me down,
because it’s not beauty
if you don’t bleed. My dancing was different.
My dancing was swaying treelike,
or launching myself across the room,
spinning madly,
but that is not what girls do,
not human girls,
not ladylike,
not contained. And everything
is about containment
is about being delicate
and pretty
laced into corsets
whalebone stays digging into your ribs
because it’s not beauty
if it doesn’t hurt. But I studied.
I pretended.
I hid the bruises
and the tics.
I hid the big dark parts of me.
I tamed my hair.
I watched my mouth.
I hid my magic.
I did not speak of such things
because we do not speak of such things –
not anger,
not homesickness,
not longing.
Not this sense
that I don’t know what the hell
a human girl is
and I can tell, I can,
that everyone knows I don’t belong here.
I laugh too loud;
I am too fast or slow to laugh.
I am an anthropologist in the field of girl.
I study
but none of it
ever comes
naturally. None of it is in my nature. I am something larger,
more fluid,
less constrained.
But I am stranded in this place.
I have had to learn how to live here.
I have tried.
So hard.

"
mrsharrisonford:

Bookshelf Necklace

mrsharrisonford:

Bookshelf Necklace

I’m currently writing a short story involving the tulip craze that happened around 1600 in Europe. This is the Semper Augustus flower, one of the most highly prized flowers.

I’m currently writing a short story involving the tulip craze that happened around 1600 in Europe. This is the Semper Augustus flower, one of the most highly prized flowers.

Very cool chart on picking a fantasy/sci-fi book to read. By NPR.

Very cool chart on picking a fantasy/sci-fi book to read. By NPR.

twobillionwords:

Page 220 of Looking for Alaska.
Picture:http://weheartit.com/entry/12411813  

twobillionwords:

Page 220 of Looking for Alaska.

Picture:http://weheartit.com/entry/12411813